My sculptures evolve from a curiosity about how the languages of music and woodworking can intersect. By sculpting and reworking concepts from each practice - such as shape, texture, timbre, and movement - I’ve found that both music and woodworking have the ability to alter the space they occupy. And when true intention lies behind the product’s curation, a hidden language comes through and speaks to the viewer - designing a memory that will live with them.

As I start my practice, my current focus is on material, movement, and shape. Each piece is crafted from upcycled wood, which determines the shape based on the amount of material available, its color, and how it can be cut. The shapes remain simple yet symbolic within these limitations, revealing repetitions and patterns in my subconscious language. From here, each piece provides me with curves and offcuts to start the next, connecting each sculpture like a string of words. It is my belief that over time, these words will grow into its own language, pulling the viewer into a greater conversation they design when engaging with the work.